Presenter: Dr Kathryn A. Hardy Bernal
Title: William Morris and His Circle: Anti-Industrialisation, Nostalgia & Sustainability
Abstract:
What can a Victorian designer teach us about sustainability, mass production and the way we live today?
This session examines the backlash against the Industrial Revolution of the 18th and 19th centuries by prominent architects, artists, designers, and craftspeople of the Victorian period. Central to this reaction was William Morris, who led his followers in challenging the rise of mechanical mass‑production and its effects on health, the environment, and quality of life. Advocating a return to an idyllic pre‑industrial past, the group expressed both nostalgic yearning and a revival of high‑quality, handmade, non‑pollutive methods of manufacture, laying early foundations for modern notions of sustainability and protection of the planet.
Key Takeaways:
- William Morris’s ideas feel remarkably contemporary: Explore how his concerns about mass production, pollution, poor working conditions and declining quality of life anticipated many of today’s conversations about sustainability.
- Craftsmanship was more than an aesthetic choice: Discover how Morris and his circle used design, making and traditional methods as a response to industrialisation — and why their ideas still influence how we think about quality, consumption and the environment.
Date:
This History workshop will run on Tuesday 29th September from 10:00 am - 12:00 pm.
Venue:
We're delighted to be hosting this workshop at Alberton, one of Auckland's finest heritage homes. Built in 1863 and beautifully preserved by Heritage New Zealand Pouhere Taonga, Alberton offers a unique glimpse into Victorian life and provides the perfect backdrop for exploring history, art and culture.
About the expert

Dr Kathryn A. Hardy Bernal
Dr. Kathryn A. Hardy Bernal, Ph.D., M.Phil., B.Art.Th., is an art and cultural historian, critical theorist, academic researcher and publisher, on intersections between art, architecture, design, fashion, film, costume, subculture, society, religion, and psychoanalytical anthropology, with over twenty years’ involvement in the arts sector, including lecturing, teaching, editorial management, and curatorial practice. She has held senior positions at leading tertiary institutions in Australia and New Zealand, such as the University of New South Wales, and Auckland University of Technology; has guest lectured at Auckland City Art Gallery, Auckland Museum, and Whitecliffe College; and presented at international academic conferences in the United Kingdom and Mexico. Her formal qualifications include a Doctor of Philosophy in Visual and Material Culture, Master of Philosophy with First-class Honours in Art and Design Theory, and a Bachelor of Art Theory with Distinction Honours in Art History. She is professionally acknowledged as an expert in her fields of research, having been officially ranked by the Humanities and Law panel of the New Zealand Government’s Tertiary Education Commission as a specialist in History of Art, History, Classics, and Curatorial Studies.
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