The World of Music 6-week Course

Claire Caldwell is a music educator, choral director, and founder of Musicatalyst, an initiative dedicated to transforming lives through music. Formerly the Performing Arts Manager and Director of Choral Music at Dilworth School, Claire spent many years leading its vocal programme and shaping the internationally recognised choir Fortissimo. Under her direction, the choir became known for its powerful performances of works in Te Reo Māori, as well as innovative medleys in Pasifika languages—championing cultural storytelling through music on a global stage.

Passionate about helping individuals unlock their potential, Claire’s work focuses on embracing vulnerability as a pathway to growth—whether guiding non-singers to find their voice or supporting experienced performers to strengthen their craft. In addition to her education work, she has toured extensively with the multi-award-winning operatic trio Sol3 Mio as an accompanist and served as Musical Director for their concert DVD Ladies and Gentlemen – Sol3 Mio in Concert, bringing her expertise to audiences across New Zealand and beyond.

SESSION: Abstract: Opera in Context: An Illustrated Exploration - This session presents an illustrated overview of the development of opera, interwoven with live vocal performances that bring key moments in its history to life. Led by Claire Caldwell and featuring university-level singers, the session examines the evolution of operatic style, repertoire, and performance practice. Accessible and engaging, the presentation offers audiences an opportunity to deepen their understanding of opera through both performance and commentary, with optional moments of interaction to enhance the experience.

Kingsley Spargo is an Auckland-based sound artist, composer, and educator whose work spans contemporary music, improvisation, theatre, and interdisciplinary performance. A Professional Teaching Fellow and PhD candidate at the University of Auckland’s School of Music, Kingsley’s practice explores the expressive possibilities of sound through collaboration, experimentation, and narrative-driven composition. He is also a curator and creative facilitator, contributing to exhibitions and performances through the Kim Meredith Gallery, where he works closely with artists to develop innovative, cross-disciplinary work.

With a career that bridges academia and the creative industries, Kingsley has performed and collaborated with a wide range of leading New Zealand artists and contributed to film, gallery, and live performance contexts. Known for his distinctive, exploratory approach to sound, he brings a deep commitment to creative inquiry, artistic community-building, and mentoring emerging practitioners. His work reflects a passion for pushing boundaries and fostering meaningful connections between people, place, and sonic experience.

SESSION: Abstract:
Listening Beyond the Score: Sound Design as Music is a lecture by composer and sound designer Kingsley Spargo that repositions sound design as a musical medium in its own right — expressive, political, cultural, and evocative. Drawing on film, theatre, and experimental practice, with examples from his own work including the recent play Woman Far Walking and theatre and film versions of The Haka Party Incident, Kingsley invites audiences into a deeper way of listening that moves beyond melody and harmony toward atmosphere, and cultural resonance. The lecture traces the evolution of sound design alongside — and often in tension with — Western ideas of music, asking when sound becomes music, who is recognised as a composer, and how political, Indigenous, and site‑specific contexts shape sound practice.

Godfrey De Grut is an award-winning New Zealand musician, composer, and educator with a distinguished career spanning performance, songwriting, and music education. He is best known as a keyboardist and arranger, and as a co-winner of the prestigious APRA Silver Scroll for the song Misty Frequencies. Over the course of his career, he has performed and toured internationally, collaborated with leading artists, and contributed to a wide range of musical projects across genres.

Alongside his work as a performer, Godfrey is a Professional Teaching Fellow in popular music at the University of Auckland, where he mentors emerging musicians and shares his deep industry experience with the next generation. An accomplished songwriter and educator, he brings a unique blend of real-world insight and creative expertise to his speaking engagements, inspiring audiences with perspectives on music, creativity, and the evolving landscape of the industry.

SESSION: Abstract: Invisible Complexity: How Modern Popular Music Rewrites the Rules of Musical Sophistication. Modern popular music is often perceived as simpler than historical forms, but this is a category error: its complexity has shifted domains—from harmony and notation into production, timbre, microtiming, form, genre hybridisation and listener cognition. We'll examine some concepts and techniques that enhance listener engagement in modern music and investigate some of the new tools of musical sophistication.